{"product_id":"bill-evans-trio-64","title":"Bill Evans - Bill Evans Trio '64 LP (Verve Acoustic Sounds Series, Audiophile, Gatefold) ( VINYL )","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere's scarcely a more towering figure in modern jazz — save Miles and Coltrane — than the great Bill Evans. His relaxed and emotional style at the piano would prove influential to not only his peers but to generations of pianists who would follow him.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt also doesn't hurt, points out\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ethejazzrecord.com\u003c\/em\u003e, that he appeared on (and had great influence over the direction of)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eKind Of Blue\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand that the two LPs from his trio's landmark stint at the Village Vanguard in 1961 (\u003cem data-mce-fragment=\"1\"\u003eWaltz For Debby\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSunday At The Village Vanguard\u003c\/em\u003e) are both stone-cold classics.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe excellent\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eTrio 64\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emarked Evans' first trio album after a move to Verve from his previous home at Riverside Records. While the work Evans' did with his first trio featuring Scott LaFaro and Paul Motian (particularly the Village Vanguard recordings) remains by far his most popular and lauded work, even after LaFaro's tragic death in 1961 he continued to improve upon and refine his particular brand of soulful and introspective playing.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eTrio 64\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emarked a reunion with Motian and Evans' only recorded work with the talented bassist Gary Peacock. The album matches up with Evans' finest trio sessions, with his shimmering piano lines dancing between Peacock's sharp bass lines and Motian's usual sublime work on the drums. Peacock was a perfect match for Evans, he was a kindred spirit when it came to not simply following the musical trends of the day, as evidenced by his time spent with the likes of Albert Ayler and Paul Bley a few years after the recording of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eTrio 64\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe song selection shows how Evans was able to take even the most rote pop songs of the day and transform them into unabashed works of modern jazz. Is there another pianist of the era who would attempt a take on \"Santa Claus Is Coming To Town\" (the album was recorded December 18th, so why not throw in a Christmas tune) or \"Little Lulu\" (the theme from a 1940s cartoon of the same name) and so successfully have them come off as if they were jazz standards all along? Even more impressive is that this was the first time that Evans had played with Peacock, and yet there is no sense of hesitation in either musician's interaction with each other, it sounds like they've been playing together for years.\u003c\/p\u003e","brand":"02- Alliance","offers":[{"title":"Default Title","offer_id":56731690008949,"sku":"602435346038","price":6.45,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0925\/8300\/2485\/files\/bill.jpg?v=1770886170","url":"https:\/\/warmvibevinyls.com\/products\/bill-evans-trio-64","provider":"My Store","version":"1.0","type":"link"}